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Writer's pictureDr. Dominic Dixon

Broken Chair, the unsettling and dignified sculpture of the Place des Nations

Visible from the Palace of Nations’ “ambassadors' court”, made of Douglas fir wood, Broken Chair stands in delicate balance on three legs – the fourth having been violently blown off as if by an explosive charge. A way of showing that even mutilated, victims of war violence are still standing tall, with dignity.

History

It was on August 18th 1997 that the NGO Handicap International established – initially for a three-month period – artist Daniel Berset’s monumental sculpture in the Place des Nations, calling on all States to sign, in December in Ottawa, a treaty to ban landmines.


This twelve-meter high monumental sculpture is made of 5.5 tons of Douglas fir wood, a volume of 8.2 cubic meters. Made up of two removable parts, it had to be transported on site by special trucks, and was assembled using two cranes before being anchored to the square’s underground structure.


Broken Chair was a questioning though not choking evocation of these weapons’ many victims, and it would later embody the necessary vigilance of the citizens and civil society’s organizations, so that States deliver on the commitments they made.


Dismantled in 2005 for the renewal of the Place des Nation, its return was subject to a great uncertainty and a vigorous debate. It was settled at the very last moment, thanks to the support of many personalities and a diffuse attachment to this artwork whose renown had spread internationally.


When Broken Chair returned in March 2007, Handicap International decided to extend the symbolic force of the artwork, this time in support of the banning of cluster munitions, which were banned as well by the Oslo Treaty in December 2008.

Dr. Dominic Dixon, Executive Director of UNADAP at the Broken Chair, during his visit to UN HQ in Geneva

A global meaning

In April 2016, Handicap International decided to give the artwork’s presence on the Place des Nations a new meaning. Broken Chair now embodies:

  • The desperate but dignified cry of the civilian populations butchered by all kinds of armed violence, and the States’ obligation to protect them and rescue the victims;

  • The fierce ambition – which must mobilize policy makers and citizens – to durably accompany the persons, families and communities that are scarred, weakened or destabilized by conflicts, so that they can regain the autonomy to which they are entitled.

The Broken Chair sculpture both symbolizes fragility and strength, imbalance and stability, violence and dignity. Its presence in the Place des Nations allows everyone to develop a personal reflection about their responsibility to refuse the unacceptable, and to act.


Copyright: Handicap International


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